So, a little while ago I was invited to write a story for quite a different sort of anthology, and I took up that challenge. Tales of adventure, featuring a duo in the lead roles, and with a setting or characters from Australia or New Zealand. So how could I turn that down? The result is Tipuna Tapu, a piece of dieselpunk set in a monster-apocalypse Aotearoa.

Tipuna Tapu is one among a couple dozen novella-length stories being published in …And Then – The Great Big Book of Awesome, which is now looking at running to two volumes. Other authors also in the book include some of the biggest names in the Australian fiction scene, such as Alan Baxter, Amanda Pillar, Jason Nahrung, Tansy Rayner Roberts, Jack Dann, and Lucy Sussex, among many more.

Publisher Clan Destine Press is now running a pre-sales campaign to help get this big book of awesome off the ground. If you’d like to see my newest adventure tale take off you can help by supporting the book, for as little as $20AUD for both ebooks, crammed full of rollicking adventure tales, or $50AUD for paperbacks of both books. I’d love it if you could stop by the Indiegogo page and back the project with a pre-order.

To whet your appetite, here’s a taste from the opening of Tipuna Tapu:

“Storm’s coming in,” Maddy said, ramming down the gas pedal in a burst of rancid bioethanol smoke.

“I see it.” Ihaka didn’t need to be told. He tugged his goggles down and grabbed the nailgun trigger grips, checking the air pressure was solid and that the ammunition belt was running free. It didn’t pay to get caught out in a storm without plenty of firepower. He braced his feet in the metal stirrups at the back of the jeep, swivelling the gun on its gimbal. Quickly, he touched fingers to the pounamu at his throat in silent benediction to unseen ancestors, then gripped the twin triggers again. Scanning the sky, he glimpsed a shape, all wing and spiral, twisting through the boiling clouds. “How far to the caves, e hoa?”

“Too far!” Madeline shouted back, her hair whipping about her face as she slammed through another gear, jerking the steering wheel to avoid a skein of fallen fence-posts.

“Thanks,” Ihaka yelled back. “That’s really helpful.”

“Not exactly Highway Sixty-Six out here,” she snapped in her thick English brogue, wrestling the wheel as the front tyre slid in a slurry of mud. The jeep slewed, gripped, hurtled forward. The engine snarled as she revved it hard, a plume of smoke spilling from the tailpipe. Ihaka tried to hold the gun steady, sighting down the barrel for something—anything—he could draw a bead on. The storm writhed closer, rushing across the darkening sky with all hell’s fury. But the way the jeep was jinking and jiving across the tumble-down paddocks strewn with rusted farming equipment and collapsed fencing, he could barely keep a bead on the horizon, much less anything darting through the clouds above.

Lightning flared, followed by rolling cracks of thunder. Something swooped across the cloudbank, banking and descending. Ihaka swung the nailgun, lining it up, judging speeds, distances, range. Black wings folded into razor sickles carved a line across the grey, before the creature twisted off and vanished back inside the cloudbank. White light burst sudden, brilliant, as it swept away. The heavens shook.

“Tell me it’s not right on top of us already!” Madeline yelled.

“OK,” Ihaka shouted, rain streaking his goggles. “It’s not on top of us already.”

“Don’t lie to me, Ihaka!”

“Wouldn’t dare.”

Maddy threw the jeep into a hard right, then a left, and Ihaka glimpsed the skeleton of a tractor whip by them, almost obscured by the tall grass. Probably a good thing to go around, and not through

“You just keep your eyes on the road. Leave the taniwha to me.”

“Road?” Madeline yelled. “What road?”

Movement then, a shadow against the black, a glimmer of fire within, spiralling towards them, twin scythes sweeping toward the kill. Ihaka wove the cannon, matching the beast’s descent, counting off the distance between them as it closed. He could make out the open jaws, the spark within, the bright glints of its onyx eyes. A lesser man would’ve emptied the ammo belt at the mere sight of it, but Ihaka had lived through such nightmare more than once, and he had done so through a combination of a steady hand, iron nerves, and a skilled and cocky driver at his back. He let the monster close in. Most folk wouldn’t believe it if you said you have to wait until you see the white of their eyes before you shoot. Most had never been that close, close enough to see the white pinpricks at the centre of those pools of black.

Ihaka had. Lonely stars in an empty night sky, those eyes. His fingers settled on the triggers. “Steady if you can,” he said, his voice firm but suddenly calm. “Taniwha incoming. One click.”

If you want more, head on over and support …And Then – The Great Big Book of Awesome.

I’m very pleased to announce the stories to be included in our upcoming anthology, At The Edge.

Edited by myself and Lee Murray, At the Edge is shaping up to be a stunning collection of short science fiction and fantasy from both sides of the ditch, Aotearoa New Zealand and Australia. We’re thrilled to announce that among the line-up will be a reprint of Phillip Mann’s short story The Architect. Phillip was short-listed for the Arthur C Clark Award in 2014 for his novel The Disestablishment of Paradise.

Without further ado, the table of contents for At the Edge, in no particular order except alphabetically by author surname:

Joanne Anderton, “Street Furniture”
Richard Barnes, “The Great and True Journey”
Carlington Black, “The Urge”
A.C. Buchanan, “And Still the Forests Grow though We are Gone”
Octavia Cade, “Responsibility”
Shell Child, “Narco”
Jodi Cleghorn , “The Leaves No Longer Fall”
Debbie Cowens, “Hood of Bone”
Tom Dullemond, “One Life, No Respawns”
A.J. Fitzwater, “Splintr”
Jan Goldie, “Little Thunder”
J.C. Hart, “Hope Lies North”
Martin Livings, “Boxing Day”
Phillip Mann, “The Architect”
Paul Mannering, “The Island at the End of the World”
Keira McKenzie, “In Sacrifice We Hope”
Eileen Mueller, “Call of the Sea”
Anthony Panegyres, “Crossing”
A.J. Ponder, “BlindSight”
David Stevens, “Crop Rotation”
David Versace, “Seven Excerpts from Season One”
Summer Wigmore, “Back when the River had No Name”
E.G. Wilson, “12-36”

The cover artist for the anthology is Kapiti-based Emma Weakley, who recently released a twelve-page wordless comic, Main.

At the Edge will be launched in June 2016.

I’m very pleased to announce  that I am involved in a new anthology project. Together with Lee Murray and Paper Road Press, we are now taking submissions for At The Edge.

We’re looking for speculative fiction short stories, covering the range of horror, science fiction, and fantasy. At The Edge will be an anthology of stories about the edge of civilisation, the fringe of reason, the border of reality, by writers from the edge of the Earth.

Stories should  be between 3,000 and 10,000 words, with payment based on word count. For full details on what we’re looking for and how to submit, head over to Paper Road Press.

My short story Endgame is now available as part of the anthology Fat Zombie, a collection of stories of unlikely survivors of the apocalypse edited by Wellington author Paul Mannering and published by Permuted Press.

I had a lot of fun writing this one, which starts out with a good dose of humour and twists itself into some pretty dark places by the time we reach the brutal end. Fun.

In this book you’ll also find a story by Baby Teeth author Sally McLennan, and Aussie horror author Martin Livings, as well as several new writers. I’m looking forward to getting my copy and reading all the stories. It’s available in print and ebook from all the usual places.

There’s also been talk of a Wellington launch of some kind, with Sally and Paul and myself, so if you’re local, keep an ear out. Be good to see you there.